Seeing Differently: Monochrome Mornings Day 4

In the final part of my monochrome mornings series I took a different approach, mostly dictated by the weather.
The morning was dull and dry, with very little wind. On a day like this, there would be no light and shadows, and no contrast provided by the morning sun. Instead, I would have to look for textures and natural contrast occurring within subjects, and between subjects in a frame.
I took out my old but loved Nikon D5600, powered up the battery, and headed out with one lens, the Nikon 50mm prime, a lens which had largely gone unused in recent times.
The results were mixed.
Given that there was no natural sunlight the high contrast black and white of previous days was not possible out of camera. I settled for low contrast and enjoyed the challenge of looking for subjects that would offer some potential for making black and white images.
The Results
I like one or two of the images, but they were mostly just experiments.









The 50mm focal length was hard to work with, having been used to a wide focal length.
The subject range in the location didn’t lend itself to this type of photography so there were a few very similar compositions. I hope to repeat the exercise in a different location, and with a different focal length.
Nonetheless, the experiment was worth trying, as experiments always are, and I have learned how to improve for my next outing.
I hope you have enjoyed this short monochrome series.
While black and white photography does not appeal to everyone, I do believe that it is worth trying because of what it teaches us about photography in general - about the way light behaves at different times of day and in different seasons, how geometry and texture are important elements in photography and the effect that stripping away colour can have on how we compose our image.







Comments